First, we have a winner! Sarah W. is the lucky recipient of the Girdwoods pattern. Yay! And since she said that her goal is to learn colorwork, I think we should all expect to see a finished pair of mittens in the very near future. Right, Sarah?!
I’m going to give us a day or two to rest, and then I have another giveaway (and then another one!). Lots of fun things in store …

These stranded mitts are a fun mix of traditional and contemporary designs. (Wintry Mix Mitts)
But we’re supposed to be talking about colorwork, so let’s do that, shall we? I thought today I would round up a few tips that might help you, especially if you’re a colorwork rookie. Maybe a quick vocabulary lesson is in order first, yes? Generally, what most of us are talking about when we say “fair isle” is actually “stranded colorwork.” That means you’re knitting with more than one color, and the color that you’re not using at a particular time gets carried along the back of your knitting. This leaves floats or “strands” on the wrong side of your work. (This is in contrast to intarsia colorwork, where you knit blocks of color and use a new strand of yarn every time you change colors.)
In reality, “fair isle” is much more specific, and comes from the name of the place where it was developed — Fair Isle, a teeny-tiny island north of Scotland. Generally, traditional fair-isle patterns have no more than two colors in a row, and only a few consecutive stitches in the same color.
These days, you’re likely to hear “fair isle” and “stranded colorwork” used interchangeably (as I usually do), and only a small segment of knitters is very particular about the true meaning of the terms. Contemporary stranded patterns sometimes have very long floats (which means you need to learn how to “catch” floats so they aren’t loose and dangly and prone to being caught on things like jewelry or fingers or glasses). And some patterns have more than two colors in a row which (in my opinion) is not particularly fun, but totally manageable, especially as it’s often only for a few rows.
As I’ve mentioned before, about a year ago, I decided to tackle stranded colorwork. It was slow going at first, but after a lot of small projects, some Internet research and quite a few consultations with knitters at Knit and Stitch, I got the hang of it. Now I’m obsessed. (Don’t believe me? See my projects page on Ravelry.) I am in no way claiming to be an expert, but I have picked up some wisdom along the way. So in honor of Fair Isle February (maybe I should have waited until Stranded September?), here are a few tips as you dive in to stranded colorwork. Remember, knitting is very personal, so what works for me might not work for you. But I often find that it helps to hear what someone else is doing so I can find my own way.
1. Learn to knit with both hands. Again, this is very personal. Plenty of people knit colorwork with two colors in one hand, and they do it very well. But for me, colorwork was a painfully slow process until I learned to hold one color in each hand. I learned to knit English-style (meaning I hold the yarn in my right hand and “throw” it), and when I knit with one color, that’s what I still do. But I taught myself to knit Continental-style (holding the yarn in the left hand and “picking”) — I knit an entire solid-color baby hat Continental-style, and by the end, I had mastered it. Now, I hold one color in each hand, “throwing” one color and “picking” the other. Honestly, doing it this way, I can knit a colorwork hat faster than a solid-color one. I highly recommend that you at least give this a try — it really made the process of knitting colorwork much more enjoyable for me.
And hey, if this sounds good to you, we’re holding a one-session workshop this Sunday to teach you to knit Continental! The class (Sunday, Feb. 13, 10 a.m. to noon) is for knitters who already knit English-style, so you’ll basically learn how to hold the yarn, and make the motions in a whole new way. This is a great start if you want to tackle colorwork. (The workshop will also be offered again in March.)
2. Don’t be intimidated. Colorwork knitting is still just knitting. It’s the same in-around-out-off motion that you learned when you first cast on. There’s often not even any purling — many stranded colorwork patterns are done in stockinette stitch in the round, so you’re really only knitting. And no matter how complicated a pattern may look, you have to think of it one row at a time. Usually there are only two colors in a row, so if you focus on one row at a time, even a complicated pattern is manageable. Also, don’t forget that if a pattern has more than two colors in a row, you don’t have to work them in stranded knitting. It’s perfectly acceptable to add the third color in duplicate stitch after you’ve knit the pattern.
3. Block your knitting! Please, please, for me, for yourself and for good handknits everywhere, block your colorwork knitting. If you click on that link in the last sentence, you can read my previous treatise on blocking. But I am repeating it here because I think it’s extra-important for colorwork. There have been projects that I’ve been ready to frog because they looked so lumpy and unappealing, but a good blocking saved them. Blocking evens out lumps, which are not uncommon in colorwork, and smoothes out the fibers quite a bit. You really won’t believe the difference.

Elephant colorwork vest knit from Rowan Wool Cotton
4. Knit with wool. OK, this is definitely a personal preference; I know plenty of people knit colorwork with non-wool fibers with wonderful results. BUT, I’d encourage you to try 100 percent wool for your first colorwork project. Look, I’m just saying — fair-isle knitting originated in a place with a lot of sheep. I don’t think that’s a coincidence. The thing about wool is that it sticks to itself. This is good because it makes the color changes much smoother. The stitches grab each other and hold together so that the fabric looks nice and even. Other fibers don’t necessarily do that. See the little elephant vest over there? I knit that out of Rowan Wool Cotton, which is half wool and half cotton. Wool Cotton is probably one of my top three yarns in the whole world, but I didn’t love it for colorwork. Obviously, the result is still very cute, but up close, I don’t think it’s as neat and tidy as colorwork done with 100 percent wool. As with anything knitting-related, it’s up to you to experiment, but I’ll put in my 2 cents and say that you should try wool for your first go-around.
5. Use all your tricks. When I knit my first pair of colorwork mittens, they were so tight that I really would have needed to chop off a finger to wear them comfortably. After some diagnosis, I determined that one of the problems was my method — I was using double-pointed needles. Ever since I started using DPNs, I tug very tightly on the first stitch of a new needle, to create a nice, tight join. Well, “tight” is not so good in colorwork, so every time I changed needles, I was pulling the floats way too tight. I decided to pull out my long circulars and try Magic Loop. Turns out, it was the perfect solution. There are only two “joins,” so you don’t have to worry so much about getting the floats around the “corners.” (This is very hard to explain, but if you try it, you’ll see!) Now, I always knit colorwork mittens on Magic Loop, even though I am still a devoted DPN user. It works, what can I say?
6. Just do it. All these tips aside, don’t overthink it. Just pick up some needles and give it a try. Start with a hat — a baby hat, if you’ve got a baby to give it to. Start with worsted-weight wool and size 7 or 8 needles so you can move more quickly and see some progress. Honestly, you don’t even have to start with a fancy pattern — just try knitting every other stitch in alternating colors (white, blue, white, blue). This will teach your fingers what to do before you have to add chart-reading to the mix.
In my next post, I’ll share some of my favorite stranded patterns with you, so you’ll have some starting points. And don’t forget about our Stranded Colorwork workshop on Feb. 27 — that’s a great place to try all this stuff.
Colorwork knitters: Got anything to add? Share your tips or favorite patterns with our colorwork newbies.
DON’T FORGET!
We’re hosting “Brave New Knits” author Julie Turjoman for a book signing and trunk show on Wednesday, Feb. 23 from 4:30 to 8 p.m. That means we’ll be open late for extra shopping. Please join us!